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Goodbye, Dragon Inn
… Since it is cinema that encourages us, through its speed, to neglect those who limp (they are ‘long’ or ‘boring’), then Tsai must redress this imbalance through cinema itself, and that he does so in a film set in a movie theatre and featuring a classic wuxia film only makes him more conscious and conscientious of how cinema shapes our reality – of how cinema thinks the world. And if cinema typically thinks the world in a fast and rushed way (the way of busy-ness/business), then Tsai revels in those who are out of business, out of time, outside of that reality of time, and in a different, ‘real time.’ …